Death of a Salesman PDF – Arthur Miller

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WriterArthur Miller
CategoryNovel
LanguageEnglish
PublisherNew York premiere
Publish Date1949
Pages105
File Size1 MB
File TypePDF

Arthur Miller has emerged as one of the most successful and enduring playwrights of the postwar era in America, no doubt because his focus on middle-class anxieties brought on by a society that emphasizes the hollow values of material success has struck such a responsive chord.

Death of a Salesman PDF – Arthur Miller

The recurring theme of anxiety and insecurity reflects much of Arthur Miller’s own past. Born in 1915, the son of a well-to-do Jewish manufacturer in New York City, Miller experienced his family’s social disintegration when his father’s business failed during the Great Depression of the 1930s.

By taking on such odd jobs as waiter, truck driver, and factory worker, Miller was able to complete his studies at the University of Michigan in 1938. These formative years gave Miller the chance to come in close contact with those who suffered the most from the Depression and instilled in him a strong sense of personal achievement necessary to rise above the situation.

He began writing plays in the 1930s, but it wasn’t until Death of a Salesman was performed in 1949 that Miller established himself as a major American dramatist. Having won the Pulitzer Prize in 1949, Death of a Salesman has remained a classic to this day. The play’s intellectual appeal lies in Miller’s refusal to portray his characters as two-dimensional — his refusal to involve himself in a one-sided polemic attack on capitalism.

Death of a Salesman PDF – Arthur Miller

Of necessity, each person will have to draw his or her own individual conclusions. The fact that performances of Death of a Salesman have met with acclaim throughout the world testifies to its universality: the play’s conflicts and themes appear not to be uniquely American.

A melody is heard, played upon a flute. It is small and fine, telling of grass and trees and the horizon. The curtain rises. Before us is the Salesman’s house. We are aware of towering, angular shapes behind it, surrounding it. Only the blue light of the sky falls upon the house and forestage; the surrounding area shows an angry glow of orange.

As more light appears, we see a solid vault of apartment houses around the small, fragile-seeming home. An air of the dream dings to the place, a dream rising out of reality. The kitchen at the center seems actual enough, for there is a kitchen table with three chairs, and a refrigerator. But no other fixtures are seen. At the back of the kitchen, there is a draped entrance, which leads to the living room.

Death of a Salesman PDF – Arthur Miller

On a shelf over the bed, a silver athletic trophy stands. A window opens onto the apartment house at the side. Behind the kitchen, on a level raised six and a half feet, is the boys’ bedroom, at present barely visible.

Two beds are dimly seen, and at the back of the room, a dormer window. (This bedroom is above the unseen living room.) At the left, a stairway curves up to it from the kitchen. The entire setting is wholly or, in some places, partially transparent. The roof line of the house is one-dimensional; under and over it, we see the apartment buildings.

Before the house lies an apron, curving beyond the forestage into the orchestra. This forward area serves as the backyard as well as the locale of all Willy’s imaginings and of his city scenes. Whenever the action is in the present, the actors observe the imaginary wall-lines, entering the house only through its door on the left.

Death of a Salesman PDF – Arthur Miller

But in the scenes of the past, these boundaries are broken. And characters enter or leave a room by stepping »through« a wall onto the forestage. From the right, Willy Loman, the Salesman, enters, carrying two large sample cases. The flute plays on. He hears but is not aware of it. He is past sixty years of age and dressed quietly.

Even as he crosses the stage to the doorway of the house, his exhaustion is apparent. He unlocks the door, comes into the kitchen, and thankfully lets his burden down, feeling the soreness of his palms. A word-sigh escapes his lips — it might be »Oh, boy, oh, boy.« He closes the door, then carries his cases out into the living room, through the draped kitchen doorway.

Death of a Salesman PDF

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